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Mano
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Oru Naal Iravil review
- 11/21/2015 9:04:12 PM
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Synopsis: A family man gets stuck inside a building with a prostitute, whom he had solicited. As time goes by, the probability of him being caught red-handed by his family or neighbours keeps increasing.
Review: Oru Naal Iravil is mostly a faithful remake of the Malayalam film Shutter. The protagonist, Sekar (Sathyaraj) is someone who has made it in life all by himself, toiling hard in Singapore. But he is also unfairly prejudiced and chauvinistic. He suspects his teenaged daughter of having an affair just because he sees her talking with her friends and fixes a rushed alliance, turning a deaf ear to the protest of his wife.
A drunken night with his friends lead to a moment when, out of temptation, he solicits a call girl (Anumol) he comes across on the road. He is helped by Soori (Varun), an auto driver, who does odd jobs for him in the hope that Sekar will get him a job in Singapore. They take the woman to the empty property that is part of Sekar's commercial shopping space, which is also adjacent to his home. Promising to return in some time, Soori leaves them there leaving the place locked. He meets Sethubharathi (Yugi Sethu), a down-on-luck filmmaker, who had left behind his bag (containing his new script) in his auto, but is caught by the cops for drunken driving and the duo is forced to spend the night at the police station.
Meanwhile, Sekar starts fretting over Soori's absence and with the day having dawned, finds himself trapped with the prostitute, and facing the prospect of being caught at any moment
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