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sanjai
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On: 1/10/2006 4:45:48 AM |
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Thalaimagan
- 10/30/2006 4:09:39 AM
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Pen is mightier than sword. It's sure. But some times against venal and violent forces, you need elements more potent than pen as combat weapon. For, pen represents the might of truth. It can be used as a battering ram, for pulverizing opponents you need good old brawn power.
Sarath, as actor and director, brings to fore both in Thalaimagan. The film is an age-old tale of good vs evil, with the former triumphing after many ordeals. This time-less tale is lifted and well padded through some adroit mix of spunky action, simple comedy and cool romance. Sarath mixes it all well and does not suffer from any pretensions of artistic exposition. There is no ambiguity in his approach.
A good, entertaining masala movie is his aim. He gives them.
The story is set around the bulwark of honest and public good institution of everest. A journalistic anachronism at a time when media houses have become mouthpieces for corporate houses. It is helmed by the fearless Ayya (Vijaykumar), it has among its ranks an intrepid scribe Dheeran (Sarath Kumar). He is no journeyman journalist. He is writer as well as a doer. When the power of the pen looks like slackening, he uses the hands that push the pen, so to say. And then there is harried colleague Erimalai (Vadivelu), who is just a step away from trouble. Meghala (Nayantra) is an enterprising intern who drives Dheeran distraction.
See the film
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| part 1
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| part 2
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| part 3
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| part 4
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| part 5
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| part 6
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