|
|
|
|
|
|
| |
| |
By Category |
 |
|
|
| |
|
| |
| |
India On Media |
|
|
|
| |
|
| |
|
|
| Entertainment
News |
|
| ‘Kites’ might be successful |
| ‘Kites’ might be successful in accessing people's heart: Hrithik
|
| INDIA
, 19-May-2010
9:12:14 AM |
|
Hrithik Roshan is a guys' guy and, obviously, a ladies' man. It's not just the looks and the voice, the irony, the charm, the political and social awareness and the unphoney compassion - an Indian who isn't an embarrassment to India; it's the whole package.
He must be too good, surely, to be true? The Hrithik effect is even more astounding. You can attract your own little fan club just by announcing that you are off to interview him. Within minutes you start receiving comments from friends on Facebook. Girls label him as a 'Greek God', Boys call him 'The Italian Stallion' and I call him 'The sexiest man alive'. He is like a rare Siberian tiger.
He is being firmly guarded by his film and personal PR execs when I arrive for the interview in his vanity van. India's busiest star has just had three changes in a photoshoot and I am waiting for him to unwind before he calls me in his private room inside his van. But as soon as I clap eyes on him, and take in that kittenish smile, the tousled, leonine eyebrows and - of course - the lush whip of unwashed curled up hair, all that instantly vanishes. Roshan is calm, polite and pleasant: heaven on a stick. UK's Harrow Observer columnist and Bollywood Hungama's London correspondent meets the man who is flying high, who is on cloud nine but yet rooted to the ground when it comes to his acting prowess - Hrithik Roshan. In this interview Hrithik talks about ‘Kites’, the belleza Barbara Mori, father-producer-director Rakesh Roshan, the temptress Kangna Ranaut and the new man inside Film Kraft - Anurag Basu.
|
|
|
|
|
|
|
|
ADVERTISEMENTS
Free offer!!! Become an administrator for your zip home page, "Post" local news (local to your postcode)& pictures, "Post" advertisement banners from local companies. Make Extra money.
|
 |
 |
|
|
| |
|
